The best Side of mahavidya baglamukhi
The best Side of mahavidya baglamukhi
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मम सकल रिपूणां वाञ्मुखे स्तंभयाशु भगवति रिपुजिह्वां कीलय प्रस्थतुल्यां । व्यवसित खलबुद्धिं नाशयाशु प्रगल्भां मम कुरु बहुकार्यं सत् कृपेऽम्ब प्रसीद ।। व्रजतु मम रिपूणां सद्मनि प्रेतसंस्था करधृत गदयातां घातयित्वा शुरोषात् । सधन वसन ध्यानं सद्मतेषां प्रदह्य पुनरपि बगळे त्वं स्वस्थतां याहि शीघ्रम् ।।
वदामस्ते मातः श्रुति मुखकरं नामललितं लसन् मात्रावर्णं जगति बगळेति प्रचरितं । चलंतः तिष्ठंतो वयं उपविशंतोऽपि शयने भजामोयत् श्रेयो दिवि दुरवलभ्यं दिविषदाम् ।।
देव्यालये पठन् मर्त्यो बगळां ध्यायतीश्वरीं । पीतवस्त्रावृतो यस्तु तस्यनश्यंति शत्रवः ।।
The Baglamukhi Mahavidya Sadhana ought to be done in solitude or isolated position, on the very best on the hills, inside the Shivalaya or ahead of the preceptor, who will guide you the tactic.
One more interpretation implies that Baglamukhi is actually a corruption of the phrase Valgamukhi; valga usually means "bridle" or "little bit". Much like the bridle or bit – positioned from the mouth – is utilized to direct a horse, Bagalamukhi provides the supernatural ability of control around 1's foes.[5] Within this context, Bagalamukhi is she "whose confront has the power to regulate or conquer".[6]
ॐ क्रीङ्क्रीङ्क्रीन्नामधारिण्यै नमः।
This rather off-putting image illustrates the toughness and command that Bagalamukhi yields along with the violent outbursts of the goddess. The corpse can signify one among 3 factors: a demon that the goddess has killed, ignorance or passions that Bagalamukhi has defeated or controlled, or perhaps the male determine as they are static and the female could be the dynamic (Kinsley 1997: 208). Themes of sava sadhana
पीतध्यान परोभक्तो यः श्रृणोत्य विकल्पतः । निष् कल्मषो भवेत् मर्त्यो मृतो मोक्षमवाप्नुयात् ।।
तव चरण सरोजं सर्वदा सेव्यमानं द्रुहिण हरि हराद्यैः देवबृंदैः शरण्यं । मृदुमपि शरणं ते शर्मदं सूरिसेव्यं वयमिह करवामो मातरेतद् विधेयम् ।।
The Tantrasara describes her iconography: Bagalamukhi sits in the golden throne inside the midst of an ocean within an altar. Her complexion is yellow (golden). Clad in yellow clothing, she is adorned by a garland of yellow bouquets and decked with yellow (golden) ornaments.
Into the devout Sadhaka, the two fingers with the Goddess indicate harmony and stability of existence’s essence. The integration of diametrically reverse forces may be the pretty basis of duality, basically major the worshipper to the realization of Advaita (Non-Duality). Her speech is recognized to co-exist with her still left hand as she forbids the utterance of impurities. The still left hand shields the worshipper through the hurt introduced about by Phony speech, and the right hand signifies the braveness to sustain the voice of truth of the more info matter. Increasing the Kundalini Electricity into the Throat The worship in the Goddess raises the Kundalini Shakti for the throat from the Sadhaka.
Somebody emerges victorious about all enemies both equally open and concealed because of the divine grace on the Baglamukhi kind of the Divine Mom.
Baglamukhi Mala Mantra of Maha vidya Baglamukhi is actually a mantra that contains more than countless words. Normally, the mala mantra is currently a 'Siddh' mantra which any sadhaka can exercise Along with the authorization of his Expert. Bagalamukhi is related to magical powers, which at times are termed Siddhi or attainments.
भारतीय तन्त्र-मन्त्र साहित्य अपने आप में अद्भुत, आश्चर्यजनक एवं रहस्यमय रहा है। ज्यों-ज्यों हम इसके रहस्य के मूल में जाते हैं, त्यों-त्यों हमें विलक्षण अनुभव होते हैं। इस साहित्य में कुछ तन्त्र-मन्त्र तो इतने समर्थ, बलशाली एवं शीघ्र फलदायी हैं कि चकित रह जाना पड़ता है। ऐसे ही यंत्रों में एक यन्त्र है- बगलामुखी यन्त्र जो किसी भी प्रचंड तूफ़ान से भी टक्कर लेने में समर्थ है। शत्रुओं पर हावी होने, बलवान शत्रुओं का मान-मर्दन करने, भूतप्रेतादि को दूर करने, हारते हुए मुक़दमों में सफलता पाने एवं समस्त प्रकार से उन्नति करने में बगलामुखी यन्त्र श्रेष्ठतम माना जाता है। जिसके पास यह यन्त्र होता है उस पर किया गया तान्त्रिक प्रभाव निष्फल रहता है।